[GENERATION GOAL] The scene begins exactly from the final frame of the video. The woman and man are already inside the elevator. The elevator doors begin closing. Instead of cutting away, the camera physically follows the closing-door movement, uses the moving elevator door as foreground occlusion, enters the elevator space, makes a restrained lateral arc around the two characters, moves behind the man, and naturally arrives at his eye-level subjective point of view of the woman. This must feel like one continuous physical camera movement through one real elevator space. No cut during the camera transition. No teleportation. No morphing. No artificial POV effect. No change of location. Duration: approximately 5 seconds. Aspect ratio: 16:9. Maintain the exact same 16:9 cinematic format as the previous video and all other scenes. Do not crop vertically or change the aspect ratio. Visual style: premium British romantic drama, understated English luxury, warm late-1990s / early-2000s cinematic character, naturalistic high-end commercial cinematography. [REFERENCE ROLES] @Image 1 — LAST FRAME OF THE PREVIOUS VIDEO / PRIMARY CONTINUITY ANCHOR. This is the most important reference. Use @Image 1 to define the exact starting state of this scene: elevator environment, camera position, framing, woman and man's positions, body orientation, relative distance, character scale, lighting and spatial geography. The first frame must continue directly from this reference. Preserve the established camera position, elevator geometry, character positions, body orientation, wardrobe, lighting and spatial relationships. Do not reinterpret the starting composition. @Image 2 — ELEVATOR ARCHITECTURE REFERENCE ONLY. Use @Image 2 only to define the physical elevator design: door geometry, proportions, panels, mirror placement, cream surfaces, dark walnut details, aged brass elements, interior materials and architectural character. Do not copy the camera angle, people, poses or framing from this reference. @Image 1 has priority for the actual starting composition and continuity. @Image 3 — WOMAN / FACE AND IDENTITY ONLY. Use @Image 3 as the strict identity reference for the woman. Preserve her exact facial identity, facial proportions, recognizable features and hairstyle. Do not inherit the background, pose, framing or lighting from this reference. @Image 4 — WOMAN / OUTFIT ONLY. Use @Image 4 as the strict wardrobe reference for the woman. Preserve the exact outfit, colors, materials, silhouette, styling and footwear already established. Do not redesign, simplify or reinterpret her clothing. @Image 5 — MAN / COMPLETE APPEARANCE. Use @Image 5 as the strict reference for the man's complete appearance. It defines his facial identity, facial proportions, hairstyle, body proportions, clothing, colors, materials, silhouette and overall styling. Preserve the exact same man and the exact same outfit throughout the entire scene. Do not inherit the background, camera angle, framing or lighting from @Image 5. There is NO separate clothing reference for the man. @Image 5 controls both his identity and his wardrobe. REFERENCE PRIORITY: 1. @Image 1 = exact starting state, continuity, camera geography and spatial arrangement. 2. @Image 2 = elevator architecture and materials. 3. @Image 3 = woman's identity. 4. @Image 4 = woman's wardrobe. 5. @Image 5 = man's complete appearance, including identity and clothing. No secondary reference may override the continuity established by @Image 1. [SUBJECT MAP] Exactly two people are present. Character A = the woman from @Image 3, wearing the exact outfit from @Image 4. Character B = the man from @Image 5, including the exact clothing shown in @Image 5. The woman stands closer to the elevator doors. The man stands slightly deeper inside the elevator, behind her. Maintain this relative spatial relationship throughout the entire scene. The woman and man do not rotate their bodies to accommodate