[REFERENCE ROLES] @woman — use as the strict identity reference for Character A, the female candidate. Preserve her exact facial identity, hairstyle, facial proportions, natural skin texture, outfit colors and overall appearance throughout the present-day interview scene and throughout all flashbacks. Do not inherit the original framing. @men — use as the strict identity reference for Character B, the male interviewer. Preserve his exact facial identity, hairstyle, facial proportions, natural skin texture, suit and overall appearance. Do not inherit the original framing. @win — use as the strict location reference for the present-day interview room. Preserve the glass walls, large city window, sterile office atmosphere, dark table, two chairs, dirty teal-green and cyan tones, and the overall spatial layout. Keep the room minimal and clean. No story-critical props, no text, no signs. [WORLD RULES] South Korean live-action psychological thriller with sharp black humor, set in 2016–2017. Present-day interview scenes happen only inside the glass interview room from @win. Flashbacks happen in a clearly different office: an open-plan workplace with brighter practical lighting, lower ceilings, more desks and coworkers, and a more ordinary everyday office feeling. Character B from @men must never appear in any flashback. Flashbacks contain Character A plus different secondary coworkers only. Keep exactly one Character A and exactly one Character B in the interview room. Keep Character A’s appearance stable across all time layers. No music. No subtitles burned into the video. [SCENE GOAL] Introduce the interview setting, establish the female candidate as calm and professional on the surface, and reveal the dark comic structure of the film: her spoken answers sound ideal and polished, while the flashbacks instantly show the exact opposite behavior in her previous workplace. The first block must feel clean, readable and minimal, with only two interview questions and two short hard-cut flashbacks. The viewer should clearly understand the pattern by the end of the scene. [CAMERA AND EDITING LANGUAGE] Use restrained but precise visual language: symmetrical framing, frame-within-frame compositions through glass, controlled negative space, subtle slow push-ins, occasional sudden EXTREME CLOSE-UPS for tension, and abrupt hard cuts into flashbacks. Keep the present-day interview visually controlled and composed. Let the flashbacks feel slightly more immediate, sharper and more disruptive, but still physically realistic. Use hard cuts, reaction cuts and cut-on-line transitions. Do not use long transitions. Flashbacks must be short and decisive, not dreamy or slow. The camera should only move when revealing information or tightening tension. [VISUAL STYLE] Live-action cinematic realism. South Korean 2016–2017 thriller look. Cold teal-green, dirty cyan, charcoal and muted cream palette in the interview room. Natural glass reflections. Sterile fluorescent office atmosphere. Character A’s deep burgundy blouse should remain the key color accent. Flashbacks keep a similar realism but occur in a more ordinary office environment, slightly warmer or more neutral, clearly distinct from the interview room. Dark humor comes from the contrast between polite professional dialogue and rude, volatile everyday behavior in the flashbacks. [SOUND DESIGN] No music. Only physically motivated sound. <low fluorescent hum, distant city ambience behind glass, subtle air-conditioning, soft chair creaks, fabric rustle, natural breathing, small mouth sounds, calm speaking voices> For flashbacks use: <office room tone, keyboard taps, chair scrape, footsteps, sudden raised voice, sharp desk impact, coworkers’ startled reactions, door movement if visible> Dialogue must be in natural Korean with clean lip-sync. Do not include Russian in the generated scene. [SCENE STRUCTURE — 28 seconds] 0.0–3.5s — WIDE SYMMETRICAL ESTABLISHING SHOT through the glass wall of the intervi

@Galagen Ufo